Attracting Mosquitoes To Drink His Blood - Fion Hung

Info about the series:
The Skeletons in the Closet
Photo Collage
2021–2023

As a Hong Konger, my identity has been shaped by Chinese familial traditions and moral standards influenced by Confucianism, along with recent social tensions in Hong Kong. A key aspect of my art practice has been exploring self-identity through a genderless presentation.

In 2016, I experienced the loss of my grandmother – this began a questioning process of the issue of "gender" in family legacies. It opened the final files of my grandmother’s photo albums, full of photos that I had never seen. These visual materials triggered my ongoing questions about identity, especially the identity of women and gender performers of the visual minority, who often find themselves trapped between private and public spaces and emotional experiences they cannot express due to social doctrines. Questions like playing with established roles and inherited social legacies of the visual body were raised, especially in my photos which may be viewed in most other cultures. I also put my naked body in front of the camera.

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