Four windows into the geography of memory, these works transform fleeting roadside moments into emotional cartography. Captured through car windows during cross-country journeys, each image began as a split-second encounter with landscape, those brief instances when a particular quality of light or formation of land creates an unexpectedly profound connection.
Through layered processes of reframing and reconstruction, the artist has allowed memory to complete what the camera could only begin. The original photographs become raw material for something deeper: not documentation of place, but exploration of how place lives within us. Each piece exists in the liminal space between what was seen and what was felt, between the actual landscape and its emotional afterimage.
The varied frames and boundaries within each work suggest the multiple perspectives that come with a lifetime of movement, the accumulated vision of someone who has navigated diverse geographies both external and internal. These are landscapes filtered through the lens of multiracial experience, where belonging is always complex and home is found in the traveling itself.
The title speaks to these images as thresholds between the physical and psychological, offering passage into spaces where memory, emotion, and landscape converge into something entirely new.
