Name: Everything's Covered in Champaign - Micha Serraf
Brand: Micha Serraf
SKU: Micha Serraf - Everything's Covered in Champaign - 90x60 - Hahnemühle Fine Art Print
Price: 750.0 EUR
Availability: InStock

Everything's Covered in Champaign - Micha Serraf by Micha Serraf at White Label Project

750.00 EUR

Tax included. Shipping calculated at checkout.

Worldwide shipping from Sweden & Germany

Size

90x60

120x80

Material

Hahnemühle Fine Art Print

Photo Print on Alu-Dibond

Exclusive edition of 25 pieces. Art photography by South African photographer Micha Serraf based in Capetown - 2018.

A limited edition is the fixed number of copies for one individual artwork indicating how often it exists worldwide. Each print comes with a Certification of Authenticity hand signed by the artist.

This series, titled Future of Gender, is an attempt at finding the means and the methods of conjuring what Bell Hooks refers to as ‘feminist masculinity’. A masculinity that is abundantly concerned with reciprocal coexistence with the community in which it exists. A masculinity that is abundantly concerned with the well-being of women, other men, queers, children, the environment, the past, and a sustainable future. A gentle future - together, where soft is strong.

For more information on Sizes & Print Materials, visit Fine Art Prints

Keep prints out of direct sunlight. Avoid heat and humidity. Before framing, acid-free archival mat is recommended to avoid direct contact between the print and glass.

Delivery within EU 1-2 weeks. Worldwide within 3 weeks. VAT is included in the price. Deliveries to non-EU countries might come with extra taxes and import duties that the customer must cover.

To find details regarding returns and refunds for custom-made items, kindly refer to our Return Policy. Here

Other Options

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Meet Micha Serraf

Micha Serraf was born and raised in Zimbabwe and fled to South Africa where he is currently based. In the mobility that has been a defining factor of his life, Micha has taken note of the behavior of themselves and other foreign nationals in their navigation of post-apartheid South Africa. They are acutely aware of the safest shape they need to take on to survive particular contexts. This fluid presentation of self and the ability to be malleable are tactics used to access acceptance and camouflage. In this exposure to several ways of existing, Micha has experienced and observed a variety of gender norms, enactments, and ideologies.

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